“Petty sacrilege is punished; sacrilege on a grand scale is the stuff of triumphs” (nam sacrilegia minuta puniuntur, magna in triumphis feruntur), -so wrote Seneca in his Moral Epistles letter 87.23.
This clever quip by Seneca reflects the rewards due to massive theft and violence! Paul glorifies Jesus with Triumph language but Mark reflects persecution with anti-Triumph language.
[The Triumph] is cast as a ritual which, throughout the history of Rome, asserted and reasserted the power of the Roman war machine and the humiliation of the conquered. Cleopatra of Egypt is famously supposed to have killed herself rather than be triumphed over. [1]
The Triumph Cleopatra avoided was the Triumph over Egypt in 29 BCE (which was one of three in that year – for Illyria, Greece, and Egypt awarded to Octavian). With Cleopatra dead, her kids had to do instead for the Triumph, but not the child she had with Julius Caesar- Octavian had quipped, “Too many Caesar’s is not good” and had him executed. Instead Cleopatra’s children with Mark Antony, Cleopatra Selene II and Alexander Helios, were paraded in heavy golden chains. Although Octavian was no great general (it was others such as Agrippa who won his battles), he did not want to be outdone by Pompey’s three Triumphs in 79, 71 and 61 BCE).
The Roman Triumph may have evolved out of Etruscan and Greek ceremonies about Dionysus, a god who triumphs, a bull was sacrificed and the king appeared as the god. The Roman Triumph was an offshoot and evolvement of this.[2]
Paul makes use of the Roman Triumph to highlight the victory Jesus has over his cosmic enemies, powerful enemies that use human authorities to carry out evil deeds such as Jesus’ execution. Paul is thinking in cosmic terms when he sees spiritual powers as the ultimate culprits behind the historical crucifixion of Jesus in 1 Cor. 2:8, those powers were allying themselves with human political actors. The “Archons” (meaning rulers either human or spiritual) and the human “rulers” are intimately connected. This is a common theme in Jewish literature, all you have to do is look at the book of Job where God gives permission to Satan to test Job or in Enoch where cosmic Archons are influencing people. Paul says elsewhere in 1 Cor. 5:5 “to deliver such a one to Satan for the destruction of the flesh…” shows Paul believing the Archons controlled people.
We also know a historical crucifixion is in view when taking other references into consideration – Like Paul’s use of the word Stauros (Phil. 2:8). Josephus uses this term Stauros to tell of Romans crucifying Jews. And the arguments of 1 Thess. 2:14-16 as an interpolation no longer stand which puts the crucifixion in Judea. Carrier’s arguments for interpolation are directed at the verse “But wrath has come upon them at last!” as he associates this with the Temple destruction, but that is only reading the epistles retrospectively.[3] “Wrath of god” could easily be applied to famines that the Jews suffered in 45-47 CE. (Ant. 20.49-53) or the disaster of 49 CE where 30,000 Jews were killed at Passover (Ant. 20.112 and War 2.224-7). Robert Jewett rightly stated, “From the perspective of those who know about the Jewish-Roman war, it is surely the most appropriate choice. But to someone who lived before that catastrophe, several of the other events could easily have appeared to be a final form of divine wrath.” [4]
Other reasons for thinking of it as an interpolation are countered by Simon J. Joseph:
The authenticity of this passage has been disputed, yet the allegedly anti-Judaic tone and content of 1 Thess 2:14–15 is fairly consonant with Pauline theology. In Romans, Paul writes that the Jews have been “broken off ” or “cut off ” from the tree of Abraham (“because of their unbelief”; Rom 11:20) and will not be grafted back until the future, when God’s “wrath” against them comes to an end (cf. Rom 11:11–29). Paul repeatedly appeals to the theme of God’s “wrath” in Romans (2:5, 8; 3:5; 4:15; 5:9; 9:22; 12:19). It seems safe to conclude that not only were some Jews involved in the death of Jesus, but we can be even more specific by identifying the high priest (and chief priests) as disliking him enough to form conspiratorial attempts to stop him, a dislike that ultimately led to a judicial action by the “Sanhedrin” and to Jesus being “handed over” to Pilate, who sentenced him to death. [5]
Getting back to our Triumph imagery, defeating these cosmic powers, Zeichmann demonstrates Paul’s use of a Roman Triumph for Jesus’ parousia in 1 Thess. 4:16–18 – “God’s trumpet—an instrument that has military connotations elsewhere in his letters (1 Cor. 14:8)” and “the parousia in Paul’s letters may refer to an imperial victory procession: the Lord’s signal, the cry from the archangel, and the sound of God’s trumpet sound suspiciously like a military parade, specifically a triumph or an ovation.” This all adds to the Triumph imagery. “Paul describes this coming with the word parousia, a term associated with the presence of the imperial visitors, often bearing the honorific title kyrios, to a city. One Egyptian administrator, for instance, writes a frantic letter concerning the additional work required by the king’s imminent parousia at a nearby village (P.Tebt. 1.48). The term is well attested across the eastern Mediterranean several centuries before and after Paul wrote. Consequently, many have argued that Paul draws upon Greco-Roman imperial frameworks for his apocalyptic scenario.” [6] Often a committee of the city would go out to meet the Emperor for his arrival (parousia) and Paul uses this imagery, but it so happens that Jesus is in the clouds (nephelais), which means the believers have to meet him in the sky.
Here is the relevant passage from Thessalonians:
According to the Lord’s word, we tell you that we who are still alive, who are left until the coming of the Lord, (parousian) will certainly not precede those who have fallen asleep. For the Lord (Kyrios) himself, with a cry of command, with the archangel’s call and with the sound of God’s trumpet, will descend from heaven, and the dead in Christ will rise first. Then we who are alive, who are left, will be caught up in the clouds (nephelais) together with them to meet (apantēsin) the Lord in the air; and so we will be with the Lord forever.” (1 Thess. 4:16–18).
The Roman Triumph which would not have been physically witnessed by most Roman inhabitants except for those residing in Rome itself, would still have been well known and sometimes copied by different areas of the Empire. By the time Paul took to writing his letters correcting his newly formed ecclesias, Triumphs were only celebrated by Emperors. This was because it was too dangerous to let a general celebrate due to turning him into a dangerous rival. Instead the general got the lesser acclaim of an ovation. Steve Mason provides the examples of the last generals to celebrate it:
Pompey the Great besieged and occupied Jerusalem in 63 B.C. A generation later (37 B.C.) Gaius Sosius, Syria’s governor under Marc Antony, repeated the exercise to remove Jerusalem from the Parthian sphere and install King Herod. Both generals received triumphal processions, memorialized on a marble record [Fasti Capitolini = The Capitoline Chronology or Calender or Fasti Triumphales = Register of Generals] in the Roman Forum, fragments of which survive. (Pompey’s [third] triumph celebrated in 61 B.C. Sosius’ in 34 B.C.). …[7]
According to Appian, Pompey put none of the prisoners to death in his Triumph for Asia except Aristoboulus. Of the fourteen nations conquered only two got executed – “Aristoboulus [of Judaea] was put to death at once, and Tigranes [junior] later.” (Appian, Mith. 117.) Pompey had wished to execute him at his Triumph as Pompey had sided with his brother Hycranus against Aristoboulus but according to Mary Beard other writers think Aristoboulus escaped, and caused more trouble for Pompey in his civil war with Julius Caesar (Josephus, Ant. 14.79, 92–9, 123–4; War 1.158, 171–3, 183–4; Dio Cassius 37, 16, 4; 39, 56, 6; 41, 18, 1) and was captured and killed later by Pompey supporters so ultimately Pompey got his wish! [8]
Christopher Zeichmann shows how the Triumphs featured in the popular imagination:
The triumph was the single highest honor bestowed upon a general and granted at the behest of the Senate. There was no strict formula for a triumph’s proceedings, but common elements included an early morning speech by the victorious general, salutes from the crowd, dispersal of gifts to the army, a procession through the city displaying war captives (soon to be sold into slavery or executed), and culmination in a sacrifice to Jupiter with a public feast. During Rome’s imperial period, triumphs were limited to emperors. Less prestigious were ovations, which were granted for less decisive victories, for smaller conflicts (fewer than 5,000 casualties), or for victories over less “worthy” foes. Triumphs and ovations were uncommon and limited to the city of Rome, meaning very few in the Roman Empire ever saw one. That said, both varieties of parade loomed large in the popular imagination and were imitated on occasion.” [9]
Using political terms like parousia, apantēsis and Kyrios all adds to the Triumph motif.
one finds three terms rich with political connotation: parousia, apantēsis and kurios. [note I highlighted those words in my quote of 1 Thess. 4:16-18]. Frequently parousia refers to the arrival of Caesar, a king, or an official, and apantēsis refers to citizens meeting a dignitary who is about to visit the city. These two terms are used in this way by Josephus (Antiquities, 11.327ff.) and also similarly referred to by such Greek writers as Dio Chrysostom. The term kyrios (“lord”), especially when used in the same context as the two preceding terms, also has a definite political sense. Further, the eastern Mediterranean applied the term kyrios to the Roman emperors from Augustus on, although the first verifiable inscription of kyrios used as a title in Greece dates to the time of Nero. All of this, coupled with the use of euangelion (“good news”) and its possible association with the eastern ruler cult, suggests that Paul and his associates could easily be understood as violating the “decrees of Caesar” (Acts 17:7) in the most blatant manner, and this could easily provide a context for ad hoc persecutions.”[10]
This was all imperial language borrowed by Paul to empower Jesus just like this language empowered Caesar- Another inscription- the Priene calendar inscription refers to Augustus’ birth using the term evangelion (gospel). This calendar also refers to Augustus as God and Saviour.
Paul imagines his converts as part of the Triumph:
“But thanks be to God, who always leads us as captives in Christ’s triumphal procession and uses us to spread the aroma of the knowledge of him everywhere.” (2 Cor. 2:14)
In the next generation after Paul, written in one of the Deutero-Pauline letters-
“And having disarmed the powers and authorities, he made a public spectacle of them, triumphing over them by the cross.” (Col. 2:15)
All highlighting the victory parade of a Triumph.
Mark picks up on Paul’s Triumph imagery but inverses it to a type of anti-Triumph framework to inverse a failure of Jesus ending up on the cross (Mark 15.16–32). This inversion is within keeping of a reversal of fortunes that is often promised in an expectant in-breaking of the kingdom of God.
Having Triumph motif incorporated in the crucifixion scene suits the apotheosis of Jesus in Mark. Even within the Roman Triumph with its over the top victory glorification, there was room for humility and stoicism. A slave standing in the Triumphator’s chariot held a crown over the Triumphator’s head and kept repeating a Janus type saying, “Look behind you. Remember you are a man”. (Tertullian, Apologeticus 33; Jerome, Epistulae 39.2.8, cf. Cassius Dio Roman History 7.21.9)
The Triumphator’s costume and painted red face made him ‘god for a day’:
The red-painted face, mentioned by Pliny, (Pliny, Nat. 33, 111–2) is supposed to have echoed the face of the terracotta cult statue of Jupiter in his Capitoline temple (which was periodically coated with red cinnabar). What is more, Livy on one occasion expressly states that the triumphing general ascended to the Capitol “adorned in the clothes of Jupiter Optimus Maximus.” (Livy, History of Rome 10.7.10) …
the godlike aspects of the costume and have seen in the general a characteristically Roman attempt to conceptualize the divine. As one argument runs, the general oscillated between divine and human status through the course of the procession; he constituted both a living image of the god himself and, simultaneously, a negation of the divine presence. [11]
Mary Beard shows Julius Caesar wanted a horse drawn chariot like that of Jupiter. “the four white horses which, according to Dio, were decreed to Caesar for his triumphal celebrations of 46 BCE. (Dio Cassius, Roman History 43.14.3). The fact that chariots drawn by white horses were regularly associated with Jupiter or Sol (the divine Sun) has strongly suggested that Caesar was attempting to claim some such divine status for himself. [12]
There was a precedent for an anti-Triumph in the aftermath of Crassus disastrous defeat in the Battle of Carrhae (Rome lost 5 legions, 2 came back, this was much worse than Varus 3 legions in Teutoburg forest). Surenas of Parthia who had defeated Crassus, had carried out a mock Roman Triumph in Selucia-on-Tigris. He had a Roman soldier looking like Crassus dressed as a woman. (Plut. Crass. 32.1-5). [13]
Dio Crassius uses anti- Triumph mockery motifs in describing some of Romes anti- Heroes, such as Sejunas (58.11.1-3) and Vitellius (64.20.2-21.2) showing this ironic language was not exclusive to Mark. [14]
Here is his passage on Sejunas:
they had escorted to the senate-hall as a superior being, they were now dragging to prison as if no better than the worst; on him whom they had previously thought worthy of many crowns, they now laid bonds; 2 him whom they were wont to protect as a master, they now guarded like a runaway slave, uncovering his head when he would fain cover it; him whom they had adorned with the purple-bordered toga, they struck in the face; and him whom they were wont to adore and worship with sacrifices as a god, they were now leading to execution. (Dio Crassius, Roman History, 58.11.1-3).
The imagery of a Triumph is not lost in Mark, a gospel heavily influenced by Paul. Ferguson shows Mark agrees with Paul’s gospel and food laws.[15] One fantastic example of Mark using Galatians is provided by Tom Dryska-
Tom Dryska shows the “parallels between Mark chapter 7 and Galatians 2: 11-14 are too dense to be coincidental.
In Mark, the scribes come “from Jerusalem”; in Galatians, the men who cause the strife come ”from James,” who is based in Jerusalem. In Mark, Jesus’ opponents attack him for engaging in table fellowship with men who are ritually unclean; in Galatians, Paul’s opponents convince Jews to stop table fellowship with Gentiles, who are considered ritually unclean. In Mark, Jesus calls the scribes “hypocrites” (ὑποκριτῶν, the only use of that word in Mark); in Galatians, Paul accuses Peter and the Jews who also quit eating with Gentiles of acting hypocritically (συνυπεκρίθησαν …. ὑποκρίσει). In Mark, “the commandment of God” or “the word of God” contrasts with something variously called “the tradition of the elders,” “the precepts of men,” “the traditions of men,” and “your tradition”; in Galatians the gospel that is “not man’s gospel” contrasts with “the traditions of my fathers” that Paul was zealous for before he began preaching the gospel. In Mark, Jesus criticizes the scribes for “nullifying” (Ἀφέντες) and (ἀκυροῦντες) God’s commandment; in Galatians , Paul warns that the Law cannot nullify (ἀθετεῖ, 3: 15) or “annul” (ἀκυροῖ, 3:17) God’s promises to Abraham. In Mark, the story leads to the conclusion that what matters is how one speaks and acts, and ends with a catalog of evils; in Galatians the epistle leads to the conclusion that the Law boils down to “love for the neighbor,” followed by a catalog of evils. This story and the ones about Jesus versus Peter clearly hark back to Paul’s confrontation with the “pillars” in Galatians 2:1- 12, which means the Galatians text was prominent in Mark’s mind as he wrote his gospel. [16]
Robyn Walsh succinctly shows how Mark put his gospel together from Paul’s letters:
There he finds talk of Jesus as Christ, possessing divine pneuma (Rom. 8:9; Mark 1:10); a divine lineage of Abraham (Rom. 3, 4, 9; Mark 1); “pneumatic” demonstrations (1 Cor. 2:4–5; Mark 2:8, 5:1ff., 5:41ff.), including divination; demonstrations of power over demons, archons, and unclean pneuma (Rom. 8:38–39; 1 Cor. 15:24; Mark 1:23, 39, 5:2ff., 7:25); Jesus as a prophet for a new age (Rom. 3:21–22; Mark 1:1–15) or a New Adam (1 Cor. 15:45; Mark 1:12ff.); a failure to recognize Jesus as the messiah during his lifetime (1 Cor. 2:6–8; Mark 4:41, 6:2, 8:29, 11:27ff.); and an active principle of God’s pneuma bounding people “in Christ” through baptism (Rom. 6; Mark 1). He even finds talk of fellowship meals and a meal hosted by Jesus anticipating his death (the so-called Last Supper) with dialogue (1 Cor. 11:23–25; Mark 14:22–25) and mention of other characters like James and Peter (e.g., Gal. 2; Mark 3:20–21, 31–35, 8:31–33, 14:26, 66). The proper interpretation of Judean law and allegory also looms large in these letters (e.g., Gal. 1:6–11; Rom. 1:16–17; 1 Cor. 9:16; Mark 1:1, 2:18ff.), as one might expect from a Pharisee.”[17]
Mark also got his Triumph motif from Paul.
Helen Bond notes an “air of persecution that hangs so heavily over this work, [Mark 4:17; 8:34; 10:37–40; and 13:9–13], persecution that broke out brutally and unexpectedly under Nero in 65 CE, and might well have continued to threaten the community of Christ followers after the war. There is an apparent allusion to Nero in Revelation via gematria that adds weight to Neronian persecution and its relevance to the Jesus Christians (Rev. 13:28). A knowledge of the Flavian triumph, celebrated in Rome in 71, might also explain the “anti-triumph” motif that several scholars have detected in Mark’s account of the crucifixion.” [18] Schmidt recognises a “particular segment of the crucifixion narrative (Mark 15.16-32) evoke a Roman triumphal procession, and that Mark designs this ‘anti-triumph’ to suggest that the seeming scandal of the cross is actually an exaltation of Christ.” [19]
Schmidt shows the purple robe put on Jesus is not historical, (Pilate the only one who would have a robe like this would not hand over his robe to be spat on) and is instead symbolic of the Triumph.
They put a purple robe on him, then twisted together a crown of thorns and set it on him. (Mark 15:17).
The crown and garb are symbols of the Triumph rather than historical reality. [20]
Winn using Schmidt’s paper lists these parallels:
1. the Markan reference to the ‘Praetorian’ that parallels the presence of the Praetorian Guard at a Roman triumph (15.16);
2. the Markan reference to the presence of an ‘entire cohort’ at Jesus’ trial that parallels the presence of such a unit at a Roman triumph (15.16);
3. Jesus being adorned with a purple robe, a garment also worn by the Roman triumphator (15.17);
4. Jesus adorned with a crown of thorns, paralleling the triumphator who wore a laurel crown (15.17);
5. Jesus receives mock honor from Roman soldiers, paralleling the honor given to the triumphator (15.18-19);
6. Jesus’ triumph culminates at Golgotha, ‘the place of the skull’, and a Roman Triumph culminates at the Capital, named for a skull that was found when the buildings’ foundation was laid (Mk 15.22; Livy 1.55);
7. Jesus is offered and refuses wine to drink, paralleling the offer of wine to the triumphator who refuses the offer (15:23);
[according to Schmidt at the Temple of Jupiter, just before the bull was sacrificed, the triumphator was offered a cup of wine that he rejected as a libation and poured out on the alter. (Schmidt, NTS 41, 1995:11). Schmidt infers this from archaeologist Inez Scott Ryberg study of panels on Roman Triumphs].
8. immediately after the offer of wine Jesus is crucified, whereas a bull is sacrificed directly after the triumphator refuses wine (15:24);
9. Jesus is crucified between two thieves while the triumphator was usually seated between two people (15:27);
10. after his death Jesus is hailed ‘Son of God’ by a Roman centurion, a common claim for a triumphant Roman emperor (15:39). [21]
The gospels depict Pilate as washing his hands and being a witness to Jesus’s innocence. Both Philo and Josephus show Pilate as a brutal administrator, yet he is depicted the opposite in the gospels. Pilate being a witness to Jesus as innocent as depicted in the gospels would sever any hint of this movement’s messianic beginnings at a time when the Romans were persecuting all Jewish messianists post Roman Jewish war.
Paul wrote before the obviously hurtful Flavian Triumph, so his use would have been only as a descriptive evocative image. By the time Mark was writing, the famous Flavian Triump was much closer to the bone, a stick it in your face parade for those suffering defeat. Mark artistically deals with this by having an anti-Triumph motif, a reason why Marks gospel won so much traction in its day- it’s motifs, political commentary and ultimate triumph over adversity was raw and memorable. John Nelson also has an interesting blog on the same topic here.
As Triumph language loomed large in classical writings, Eusebius of Caesaria could boast of “God’s triumph in a war which mankind declared on God himself,” as Christianity went on to become the dominant religion of the Empire. “God’s victory” (ενθεοσ νικη) was achieved through the martyrs of the church, where the final victory was an end to the “Great persecution” in 313 CE. [22]
[1] Mary Beard, The Roman Triumph, (The Belknap Press of Harvard University Press, 2007), pp. 4, 114-115.
[2] T. E. Schmidt, 1995 ‘Mark 15:16–32: The Crucifixion Narrative and the Roman Triumphal Procession’, NTS 41, (1995), pp.1-18 (2).
[3] Richard C. Carrier, “Pauline Interpolations.” in Hitler Homer Bible Christ, The historical papers of Richard Carrier 1995-2013 (Philosopher Press, 2014), pp. 203-211.
[4] Robert Jewett, The Thessalonian Correspondence: Pauline Rhetoric and Millenarian Piety (Foundations and Facets), (Fortress Press, 1986), p.37.
[5] Simon J. Joseph, Jesus and the Temple, p.22-23.
[6] Christopher Zeichmann, The Roman Army and the New Testament, p.111.
[7] Steve Mason, A History of the Jewish War, p.5 and n.4.
[8] Mary Beard, The Roman Triumph, pp.14,130.
[9] Christopher Zeichmann, The Roman Army and the New Testament, p.110.
[10] Karl P. Donfried, “1 Thessalonians”, ch 28 in The Blackwell Companion to the New Testament, Edited by David E. Aune, p.509
[11] Mary Beard, The Roman Triumph, p.226.
[12] Mary Beard, The Roman Triumph, p.234.
[13] Jason M. Schlude, Rome, Parthia, and the Politics of Peace: The Origins of War in the Ancient Middle East, (Routledge, 2020), ch.3.
[14] Schmidt, ‘Mark 15:16–32’, p.4-5.
[15] See Cameron Evan Ferguson, A New Perspective on the Use of Paul in the Gospel of Mark, (2021) who builds on Joel Marcus, “Mark—Interpreter of Paul,” in New Testament Studies 46 (2000) pp.473–87.
[16] Tom Dykstra, Mark Canonizer of Paul, p.150-1.
[17] Robyn Faith Walsh, The Origins of Early Christian Literature, Contextualizing the New Testament within Greco-Roman Literary Culture, (Cambridge, 2021), p.132
[18] Helen Bond, The First Biography of Jesus, Genre and Meaning in Mark’s Gospel, (William B. Eerdmans Publishing Company, 2020) Introduction.
[19] Schmidt, ‘Mark 15:16–32’.
[20] Schmidt, ‘Mark 15:16–32’.p.7.
[21] Adam Winn, “Tyrant or Servant? Roman Political Ideology and Mark 10.42-45”, Journal for the study of the New Testament 36/4, (2014), pp. 325-352
[22] Bralewski, S. (2015). Boże zwycięstwo (ενθεοσ νικη) – „ideologia tryumfu” w “Historii kościelnej” Euzebiusza z Cezarei. Vox Patrum, 63, pp.331–351.







